Evil Dead Rise had a production path as unusual as its setting. Lee Cronin, an Irish director previously known for the 2019 supernatural horror film The Hole in the Ground, was chosen by the franchise's original producers — Sam Raimi, Rob Tapert, and Bruce Campbell — to write and direct the fifth Evil Dead film. The project was originally planned as an HBO Max exclusive and was already in post-production when test screenings went so well that Warner Bros. Pictures pulled it into a full theatrical release. That decision turned out to be correct: the film grossed $147 million worldwide, making it the highest-grossing entry in the Evil Dead franchise's entire history. It opened at SXSW on March 15, 2023, before its wide release on April 21, 2023. The film's hook is a shift in geography that sounds simple but changes everything about how the horror operates. Every previous Evil Dead film centered on an isolated location — most famously the cabin in the woods — where characters are cut off from help and surrounded by nature. Cronin's version relocates the evil to a rundown apartment building in Los Angeles, which inverts those conditions entirely: the characters are surrounded by people, infrastructure, and potential escape routes, and the film's job is to systematically destroy all of those advantages. An earthquake takes out the stairs and the phones. A power failure kills the lights. The building itself becomes a sealed maze. What makes Evil Dead Rise land so hard is not just the gore — though Cronin used over 6,500 litres of fake blood during production — but how personally the horror is engineered. The people being terrorized are a family. The monster is a mother. And the woman who has to stop her is her pregnant sister who arrived not knowing any of this was waiting for her.

The film's emotional setup is built from a specific set of circumstances that Lee Cronin placed on every character before the horror begins, and understanding those circumstances is what separates a casual viewing from a real grasp of what makes the story work. Beth is a guitar technician who works for touring bands — a profession that keeps her constantly on the road and largely absent from her sister's life. On the day she visits Ellie, she has just discovered she is pregnant, which is the private crisis driving her to reconnect. Ellie, meanwhile, is dealing with the recent departure of her husband, who left her to raise three children alone in a cramped, condemned apartment building that is being cleared out. She is also a tattoo artist by trade — a detail that roots her in a specific kind of creative, working-class identity that makes the apartment setting feel authentic rather than just convenient. The building is scheduled for demolition, meaning the family is already in a state of transition and stress before any supernatural force gets involved. Danny, Ellie's teenage son, is an aspiring DJ — which is the precise reason he brings the vinyl records back to the apartment and plays them on his turntable rather than leaving them alone. His curiosity is professional and habitual: he hears recordings and wants to hear them better. Bridget is Ellie's older daughter, and Kassie is the youngest child, who becomes one of the two survivors by the end of the film. The earthquake that strikes while the kids are out getting pizza is the film's mechanical trigger, opening a hole in the underground car park floor that leads to a sealed vault. Inside the vault, Danny finds the Naturom Demonto — also known as the Necronomicon Ex-Mortis, or the Book of the Dead — along with a set of vinyl records made by a priest documenting his encounters with the Deadites. The records function the same way as the tape recorder in the original Evil Dead: they serve as the delivery mechanism for the incantations that awaken the ancient evil. In this version, the priest's recordings end with his death, and the franchise lore is expanded with the revelation that the Naturom Demonto exists as one of three volumes.
Once the possession begins, Evil Dead Rise escalates without pausing, and every major horror beat is connected to a character decision rather than a random event. Ellie is alone in the elevator when the power fails, and it is there — in the dark, with cables lashing around her — that she is first attacked and taken by the Deadite force. When she returns to the apartment, her transformation is gradual enough to create confusion before becoming undeniable. Alyssa Sutherland's performance in the film's middle section is one of the most physically committed pieces of horror acting in recent memory — she is simultaneously her children's mother and something that wants to destroy them, and the horror of the film lives in that specific gap. Ellie's possession spreads. Bridget is wounded and subsequently taken. Danny is eventually possessed too. The apartment closes around Beth and Kassie, with the staircase collapsed, the elevator damaged, the phones dead, and the fire escape inaccessible. The film's most discussed practical-effects sequence involves a cheese grater used during a fight, which Cronin staged as a visceral shock that plays as darkly comic horror in the tradition of Evil Dead II. Beth uses a soldering gun to connect a record player to batteries — a small detail that reveals both her technical background and the film's insistence on grounding its problem-solving in character logic. The climax involves the merged, multi-limbed creature known as the Marauder, formed when the possessed bodies of Ellie, Bridget, and Danny fuse together into a single entity. Ellie's severed head taunts Beth from the wood chipper, and Beth responds by kicking it in — a payoff that is both gruesome and oddly cathartic. Beth and Kassie are the only survivors. The Deadite evil does not end with them.
Evil Dead Rise sits in the franchise as its fifth entry and the sequel to Fede Álvarez's 2013 Evil Dead reboot, which starred Jane Levy and introduced a new generation of audiences to the Deadites. Cronin's film deepens the mythology by confirming that the Naturom Demonto exists in three separate volumes — a detail that expands the lore and quietly sets up the possibility of future entries. A sixth film, Evil Dead Burn, was subsequently released. The film's production design, led by Nick Bassett, makes the apartment building feel genuinely threatening: the narrow corridors, the utility rooms, the broken infrastructure, and the underground vault all contribute to a sense of geography that matters during the horror sequences. Cinematographer Dave Garbett and makeup effects supervisor Jason Docherty worked to ensure that the film's gore was predominantly practical, maintaining the franchise's tradition of using physical effects over digital augmentation wherever possible. The film was shot in New Zealand, making it an international co-production between New Zealand, Ireland, and the United States — though its setting is firmly Los Angeles. For a quiz page, Evil Dead Rise offers exceptionally specific material: the characters are defined by their trades and their relationships in ways that generate precise, testable questions. The plot mechanics — who finds the vault, who plays the records, which character is possessed first, how the Marauder is formed, and who survives — give quiz designers a film where every major story beat has a clear, factual answer. That specificity, combined with the film's mainstream horror success, makes it ideal for an audience that wants real difficulty rather than guesswork.
